Why is Metronomy so in demand?
His distinctive production sound with melodica, accordion, guitar and found sounds, has a disarming charm. Metronomy is one of few melodists in electronic music, writing extended melodies over pop song structures. In the absence of vocals the melodies of his instruments sing the songs. Stirring up Krautrock, dancehall, polka, pop and folk music, his album is a revelation!
Metronomy's hilarious live show, uses a full band, The Food Groups, all wired up, with syncronised light dances, doing a semaphore and a morsey wave to sold out gigs at Trash, Windmill and Cargo.
Devonshire born, Brighton based Joseph Mount, is the curly haired weirdo behind this delightful racket, a funny little guy with a mischievous glint in his eye.
Metronomy began in the tiny, bohemian market town of Totnes, Devon, when Joseph’s Dad sold his son a computer so he could sit in his bedroom and make electronic music. He was inspired by the likes of Autechre, LFO and Aphex Twin, more as a creative hobby than a pop masterplan.
After decamping to Brighton for Uni, Metronomy released their debut album in June 2006. It was called Pip Paine (Pay The £5000 You Owe), and its obtuse but fascinating, largely instrumental electro-pop reflected the eccentricity of its title, and the enduring influence of Totnes.
Joseph admits that he only, finally, saw the commercial possibilities of Metronomy when DJ, producer, Trash founder and electro-punk avatar Erol Alkan began to feature the single You Could Easily Have Me in his sets, and asked Metronomy to play at his club. Cue the need for a proper live show, and the additions of Gabriel Stebbing, Oscar Cash, dance routines and clothes that blink.
Move on 2 years and Nights Out a wonky love-child of Giorgio Moroder, New Order, Pet Shop Boys and Unfinished Sympathy is a second album that feels like a debut. The first to be vocal-led, with the self-effacing Joseph stepping up and grabbing the mic for most of the tracks; and, crucially, the first to introduce Metronomy as a fully live propsition, rather than a pseudonym for Joseph‘s solo work.
As Metronomy’s busy touring schedule built a buzz amongst kids who instinctively get the dance/art crossover, In April 2009 the Metronomy show took another leap in its evolution, with the addition for the first time of a live drummer in Anna Prior, and bassist Gbenga Adelekan. The new Metronomy was completely live, proving it is possible for electronic bands to put on show as authentic as any rock band.